New poetry by Christine Moretto Wishnoff
A chalk message
Spells out contention,
#BLM on SF retaining wall
Tempered lines of white control.
Where is the outrage
When chalk lines go DOA?
A child’s fairytale:
All will end well
Outlined in rainbow.
Disturbance on private property
When barbarism holds the lease.
Maligns with good intention.
All the shades of brown and black
Moved to the back of the 64 pack.
Crayola must have had a reason
To make “flesh” a color for all seasons.
New poetry by Kayla Sargeson
Two Women at a Bus Stop
The one in brown boots stands
on tip toes to kiss the other.
For a second I’m in love with their tenderness,
the way the one in brown boots looks at the other,
the smiles on their faces when their lips part.
What about their bodies?
In bed, which one is more rough,
which one starts bleeding first?
It’s been almost four years, but I still remember
Izzy’s fingers inside me,
her woman-mouth on my nipple.
No one knows the secrets between us,
her hands covered in my woman-blood.
When the bus comes, the woman
in the brown boots gets on fist.
Her lover behind her carries a duffel bag.
I can’t tell which one of them I love,
want to be.
I follow them.
When the bus gets to Fifth and Halket,
my red-tipped fingers reach for the bus cord.
New poem by Holly Day
It’s strange how we all have so many of the same parts inside of us.
We have lungs and a heart just like a squirrel’s, a digestive system that looks
indistinguishable from a pig’s. If you were to gut a pig and a man next to one another
in the morning, you wouldn’t be able to tell which pool of rusty-red dried blood
came from which creature. If you slit a goat or a dog or a rabbit from neck to navel
all of the organs fall out in the same sort of bundle, just a different-sized bundle.
I don’t know what I’m telling you this for, but you decided
that the empty seat next to me was some sort of invitation to conversation.
If you don’t want to talk about the things I like talking about, perhaps
you should find another drinking companion.
I could tell you something about the steer that lost his hide
to make these leather pants I’m wearing, tell you all about the things
that lived in the trees cut down
to make this here bar we’re drinking at,
but I can tell you’re the type of guy who likes simpler stories than these.
New poetry by Nicolette Hylan-King
I’m sorry, but this office was
never intended for lactation.
This is a firm, not a farm.
You’re an editor, not a dairy cow.
The plexiglass walls were meant
to spread natural light,
not to shield leaking breasts.
The law requires me to hand you this key
to a private space downstairs
where you can do whatever it is you need to do,
but please, spare us the details.
This office was built for production,
Why are you back so soon, anyhow?
Doesn’t HR offer maternity leave?
And no, you can’t work from home
two days a week.
That wouldn’t be fair to your colleagues
who didn’t just push a human being
out of their bodies,
now would it?
I’m glad you understand.
It’s nothing personal, really.
We’re all family here.
Mediocre Professional of the Year
I want to be known for professional
Dashing for the door at 4:58 sharp,
not apologizing for delayed responses
unflapped when quarterly earnings
hit record lows.
And when I am named Mediocre Professional of the Year,
please, keep the plaque.
I like my walls clear
like my headspace.
New poem by Linda M. Crate
i am angry
that all these years later
i still remember and think about
what you’ve done,
of how everyone thinks you’re a good man
despite the fact i know you’re not;
you tried to force yourself
when we were but kids—
& later in college when i thought i was
finally recovering from the trauma of not being
able to trust anyone,
you found me;
and you smirked at me saying,
“i bet you don’t remember me”
knowing full well that i did as i froze unable
to move or speak
eyes wide in horror as i saw you
someone i thought i would never have to see
they say you’re a good man,
but i know better;
any time someone says a person is a good man
i don’t trust them because good men are introduced
by their character not everyone assuring one another
the other person means no harm—
i don’t know why people deny there are predators
it’s as if they don’t want to more closely examine
their friends and kin.
New poem by Tara Menon
You’re hurting because the boy
didn’t say much to you.
The dinner was just a pretense.
We all knew you’d be sizing each other up,
you, an Indian-American,
and he, an Indian who’d become Americanized.
Sparks didn’t fly,
though you and he had every reason
to like each other.
You’re smart, charming, and friendly,
and he’s handsome, sweet, and reserved.
He shouldn’t have remained tongue-tied.
Ten minutes was all it took
for me to know the evening wasn’t going anywhere.
Jane Austen warned me
about the perils of match-making in Emma,
but I didn’t listen to her authoritative voice.
She knew men and women so well
and human nature hasn’t changed three centuries later
in any of the continents.
She’s still highly regarded,
the spinster writer, who was engaged
for less than twenty-four hours.
Like Emma, I’ve brought myself
a notch or two down in self-esteem,
and I need to make amends to you, my Harriet.
You are not really like that fictional Harriet Smith,
but a bright, promising young woman.
I just hope you never lose that confidence
that you wear so well.
As for me, perhaps I should retire from this business,
but I’ll try once more for your sake.
New poem by Elinor Clark
Oh strange, spiky plant.
Though stunted, you still stretch upwards,
Desperately digging in roots.
But with each growth remember the tub that you’re held in.
Nowhere to go.
Thick, plastic looking skin
Inflicted with some serious malady.
Will scare anyone away.
Put the spikes up.
Pretend that’s what you want.
As a belated tribute to all trans sisters, a poem from Anastasia Walker, appearing in S/tick Issue 2.4: OUTreach.
To 22 year old rapper Evon, suffocated with a plastic bag, choked with a chain, and beaten with wrenches and hammers in Milwaukee on New Year’s Day
To 20 year old Nicole in Brazil, shot to death after the boy she kissed and his companheiros discovered the secret that shouldn’t have to be secret
To 21 year old Dannie, kidnapped and decapitated by an armed gang in Monterrey
To the unnamed but not nameless 22 year old shot in Sarasota the same day
To Ale, 24 years old, in Buenos Aires, killed somehow the day after
To Fernanda, 32, of Viamo, Brazil, shot by two men in a car
To Tiffany of Guyana, sex worker, teenager, throat slit
To Nathalia, 32, stabbed in Quezon City, and her death mocked in the papers
To Cecilia, age not given, shot six times in Fortaleza
To Natalya, treinta, shot twice in Maracaibo, tierra del sol amada
And Jeckson and ?, killed in the same city,
And = =, killed by a car up the coast in Caracas, all on the 19th
To Agata, just a teen, stabbed to death in Camapua the day after my 49th birthday
To Romildo of Recife, stoned to death after 35 years of life
To Alejandra, 28, neglected to death in a Colombian hospital after a fight
To 30 year old Indian Vinod, shot
To 36 year old Karen of Zimatlán de Álvarez, found stabbed and half naked
To 27 year old La Tita of Ciudad Sandino, la Nueva Vida, stabbed in her home by her date
To 18 year old Vitória of Boa Vista, stabbed to death by her boyfriend:
It’s not the sanctioned bigotry, spanning hemispheres and centuries, which these crime scene snaps flesh out
Nor the thought of so much vibrancy so thoughtlessly snuffed out
Nor even the ferocity of your murders – call them atrocities –
That sits like nine hundred pounds of lead and ice in my heart, but the fear
That as the motherfuckers came at you
Punch-drunk and snarling for blood
You might for a second have felt
I deserve this.
This poem draws on the list of murder victims compiled annually for the Transgender Day of Remembrance (TDOR) observed across the U.S. and Canada, and in cities around the globe, in mid-November.
New poem by Casey Catherine Moore
Is the bottled-up emotions, forced down by Uranus into Gaia’s belly
The tears that leak out after ages of suppression
Our oppression is when the words
Are trapped on the backs of our tongues
And feelings pull forth instead
Like the last bit of honey oozing from the jar
They call us hysterical, a word tied to the darkness of the womb, hystera
But you need no womb to be a woman and to be a woman is to be transcendent
They teach us to be givers, to twist ourselves in different spaces
They tell us we are both Madonnas and whores
They build the gilded cage and ask us to dance
And call us bossy when we make the rules
When Pandora was made from Earth Phobos screamed
And man took heed and tried to shovel her back down
But woman is necessity, Ananke, and because she is darkness she is the only thing who
can chase away Night.
New poem by M. Magee
All telling stories
Like tender snowflakes
All part of a raging storm
They call to me
And to you
And to all of us
Rage! Die! Kill! Scream!
Don’t let the mean ones in
Don’t let the nice ones out
Don’t let me out
Rage against the machine.
Such an awesome word
Tracing snow-angels after the storm
One, Two, Three
Angels in a row
All Her Stories left there
Three dead snow-angels