New poem by Linda M. Crate
i am angry
that all these years later
i still remember and think about
what you’ve done,
of how everyone thinks you’re a good man
despite the fact i know you’re not;
you tried to force yourself
when we were but kids—
& later in college when i thought i was
finally recovering from the trauma of not being
able to trust anyone,
you found me;
and you smirked at me saying,
“i bet you don’t remember me”
knowing full well that i did as i froze unable
to move or speak
eyes wide in horror as i saw you
someone i thought i would never have to see
they say you’re a good man,
but i know better;
any time someone says a person is a good man
i don’t trust them because good men are introduced
by their character not everyone assuring one another
the other person means no harm—
i don’t know why people deny there are predators
it’s as if they don’t want to more closely examine
their friends and kin.
New poem by Tara Menon
You’re hurting because the boy
didn’t say much to you.
The dinner was just a pretense.
We all knew you’d be sizing each other up,
you, an Indian-American,
and he, an Indian who’d become Americanized.
Sparks didn’t fly,
though you and he had every reason
to like each other.
You’re smart, charming, and friendly,
and he’s handsome, sweet, and reserved.
He shouldn’t have remained tongue-tied.
Ten minutes was all it took
for me to know the evening wasn’t going anywhere.
Jane Austen warned me
about the perils of match-making in Emma,
but I didn’t listen to her authoritative voice.
She knew men and women so well
and human nature hasn’t changed three centuries later
in any of the continents.
She’s still highly regarded,
the spinster writer, who was engaged
for less than twenty-four hours.
Like Emma, I’ve brought myself
a notch or two down in self-esteem,
and I need to make amends to you, my Harriet.
You are not really like that fictional Harriet Smith,
but a bright, promising young woman.
I just hope you never lose that confidence
that you wear so well.
As for me, perhaps I should retire from this business,
but I’ll try once more for your sake.
New poem by Elinor Clark
Oh strange, spiky plant.
Though stunted, you still stretch upwards,
Desperately digging in roots.
But with each growth remember the tub that you’re held in.
Nowhere to go.
Thick, plastic looking skin
Inflicted with some serious malady.
Will scare anyone away.
Put the spikes up.
Pretend that’s what you want.
As a belated tribute to all trans sisters, a poem from Anastasia Walker, appearing in S/tick Issue 2.4: OUTreach.
To 22 year old rapper Evon, suffocated with a plastic bag, choked with a chain, and beaten with wrenches and hammers in Milwaukee on New Year’s Day
To 20 year old Nicole in Brazil, shot to death after the boy she kissed and his companheiros discovered the secret that shouldn’t have to be secret
To 21 year old Dannie, kidnapped and decapitated by an armed gang in Monterrey
To the unnamed but not nameless 22 year old shot in Sarasota the same day
To Ale, 24 years old, in Buenos Aires, killed somehow the day after
To Fernanda, 32, of Viamo, Brazil, shot by two men in a car
To Tiffany of Guyana, sex worker, teenager, throat slit
To Nathalia, 32, stabbed in Quezon City, and her death mocked in the papers
To Cecilia, age not given, shot six times in Fortaleza
To Natalya, treinta, shot twice in Maracaibo, tierra del sol amada
And Jeckson and ?, killed in the same city,
And = =, killed by a car up the coast in Caracas, all on the 19th
To Agata, just a teen, stabbed to death in Camapua the day after my 49th birthday
To Romildo of Recife, stoned to death after 35 years of life
To Alejandra, 28, neglected to death in a Colombian hospital after a fight
To 30 year old Indian Vinod, shot
To 36 year old Karen of Zimatlán de Álvarez, found stabbed and half naked
To 27 year old La Tita of Ciudad Sandino, la Nueva Vida, stabbed in her home by her date
To 18 year old Vitória of Boa Vista, stabbed to death by her boyfriend:
It’s not the sanctioned bigotry, spanning hemispheres and centuries, which these crime scene snaps flesh out
Nor the thought of so much vibrancy so thoughtlessly snuffed out
Nor even the ferocity of your murders – call them atrocities –
That sits like nine hundred pounds of lead and ice in my heart, but the fear
That as the motherfuckers came at you
Punch-drunk and snarling for blood
You might for a second have felt
I deserve this.
This poem draws on the list of murder victims compiled annually for the Transgender Day of Remembrance (TDOR) observed across the U.S. and Canada, and in cities around the globe, in mid-November.
New poem by Casey Catherine Moore
Is the bottled-up emotions, forced down by Uranus into Gaia’s belly
The tears that leak out after ages of suppression
Our oppression is when the words
Are trapped on the backs of our tongues
And feelings pull forth instead
Like the last bit of honey oozing from the jar
They call us hysterical, a word tied to the darkness of the womb, hystera
But you need no womb to be a woman and to be a woman is to be transcendent
They teach us to be givers, to twist ourselves in different spaces
They tell us we are both Madonnas and whores
They build the gilded cage and ask us to dance
And call us bossy when we make the rules
When Pandora was made from Earth Phobos screamed
And man took heed and tried to shovel her back down
But woman is necessity, Ananke, and because she is darkness she is the only thing who
can chase away Night.
New poem by M. Magee
All telling stories
Like tender snowflakes
All part of a raging storm
They call to me
And to you
And to all of us
Rage! Die! Kill! Scream!
Don’t let the mean ones in
Don’t let the nice ones out
Don’t let me out
Rage against the machine.
Such an awesome word
Tracing snow-angels after the storm
One, Two, Three
Angels in a row
All Her Stories left there
Three dead snow-angels
New poem by Kim Malinowski
I bet Aphrodite didn’t have to shave her armpits,
no, she would go natural.
A goddess doesn’t have to conform
to societal pressures—
she is the pressure, the ideal, the embodiment
of desire and sensualness.
So, when I think of Aphrodite,
I think of her naked self as hairy,
maybe her navel a little linty.
Maybe her hair doesn’t cascade
to her waist and maybe both of her breasts
aren’t plump, maybe one is a little lopsided,
and the other a little red at the base.
She has curves and a belly—after all
she ate all that goddess food.
And her eyes are lightning, daring humans
with her sumptuousness, her dazzling bounty.
She spins and the heavens just drool.
That’s what rain is.
Goddesses don’t shave, they just look damn good
in whatever they wear, and do it with pizazz.
New poem by Aimee Curran
I believe her.
Drinking too much coffee to stay
awake during the darkest hours.
Waiting up with the moon until it
glides past the lip of the ocean.
I believe her.
Filling herself with strangers
to keep him away in the shadows.
Flicking on the lights despite their protests
and never staying through the night.
I believe her.
Spending holidays at the movies
always buying one ticket and a box of Goobers.
Every Christmas eating pork lo mein at
Cathay Kitchen and asking for extra fortune cookies.
I believe her.
Writing poetry on napkins at the local
cafe, taking advantage of free refills.
Showing up every month at open mic,
sitting in the back, working up the courage to speak.
This Throwback Thursday brought to you by Freesia McKee
S/tick, Issue 1.4
this guy brought a poem
to our workshop
about being a man.
at the table
after the workshop,
one guy told me
to write a poem
that included the word
he knows i write
poems about women.
what else is there
do you get asked
what it feels like
to be a symbol
because to me,
you have become
i know how included i can feel
if i quote you.
is that my chair
to their table–
that is a poem
that will never be
This Throwback Thursday brought to you by Amber Hollinger
S/tick, Issue 1.2